Open Panel Accepted at 4S2019 NOLA

Non-use scholars: Consider submitting to my open panel at 4S for next year’s conference:

Beyond Non-Use: Infrastructuralism and Interruption

Nathanael Bassett, University of Illinois at Chicago

This panel calls for scholarship on non-use and media refusal to examine how ubiquitous technology becomes infastrucutral, and the increasing difficulty of avoiding adoption. While existing works on non-use examine Sally Wyatt’s refuser, resister, and the expelled as well as the excluded, looking at technologies and media as infrastructural leads us to consider non-use as a precarious near-impossibility. Yet interruptions in patterns of use and changes in user behaviors emerge, as we negotiate our relationships with media and technology in context-specific studies. How do we consider what it is to be a non-user when innovation is rapidly the conditions of possibility for living in a technified society? This panel hopes to address that question.
Scholarship on non-use is welcome to examine the issues surrounding innovation, interruptions, (dis)engagement and (dis)empowerment. When we are compelled to participate in media and technology via innovation, how do we measure the exchange of agency, as ways of being in society become technified, commercialized and standardized on new platforms? What is the interuption to older ways of being and historic social infastructure? What is the relationship between (dis)engagements and (dis)empowerment? Case studies, theoretical works, and new perspectives are especially welcome as we try and continue the necessary conversation around non-use.
To submit a presentation to my panel, please visit

NCA 2018

I am proud to say I will be presenting a paper on “Playing Dead: Disconnection and the Technological Uncanny” in November at National Communication Association’s 2018 meeting in November, in the Philosophy of Communication Division. I will also be chairing a panel regarding “Perspectives on Non-use” (described below). Continue reading

Book Review: Privacy (A Short History)

Also forgot to post this:

Review by Nathanael Bassett, University of Illinois at Chicago

Privacy: A Short History

David Vincent
Malden, MA: Polity, 2016. 189. Book.


Communication is rarely secure and relationships are fraught with intrusions. Technology and privacy researchers are keen to the first point but overlook the second because of how we contextualize and define privacy in the present. Following the enduring claim of Samuel Warren and Louis Brandeis that one has a “right to privacy,” namely, “to be let alone,” we conceive of surveillance with metaphors like Foucault’s panopticon and the security state, with its various devices for tracking and monitoring people. Because of this, we fail to recognize broader and more nuanced forms of privacy. We are observing the tail end of a phenomena for which David Vincent’s Privacy: A Short History provides a brief outline, the life and death of a mode of privacy. The significance of this book is not only a social history of privacy or the history of the idea itself, but the significance of artifacts and technology in creating a sense of privacy.  Environments afforded certain types of sociality lending to or detracting from this sense. This book provides both researchers and curious readers with an insight into the relationship of technology and privacy in a much broader context than what is typically discussed.

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Book Review: JDP’s Marvelous Clouds

I forgot to post this one:

Journal of Communication Media Studies (2018)

Book Review: John Durham Peters. The Marvelous Clouds: Toward a Philosophy of Elemental Media. Chicago: University of Chicago Press, 2015. 410 pages.

Reviewed by Nathanael Bassett

University of Illinois at Chicago

John Durham Peters has already cemented his legacy in the field of communication with Speaking into the Air (1999). Written towards scholars focusing on effects and connectivity, the book discusses communication’s untapped potential for understanding affectivity and human relationships. The Marvelous Clouds: Toward a Philosophy of Elemental Media (2015) has a similar promise to be a foundational and inspirational book for students and scholars of communication, media studies, and other disciplines, as well as an enjoyable (yet difficult) journey for general readers.

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Communication and Media Studies: La Forge’s VISOR and the Pictures in Our Heads

Nathanael Bassett

in Set Phasers to Teach! Springer (In Press)


The lineage of traditions that lead to the study of media makes defining a single coherent discipline difficult. But these studies involve more than just what we see on the screen. They focus on one of the inescapable aspects of human experience – mediation and technics. Phenomena are never the subject of direct encounters. Our experiences are always mediated through something which stands between us and the world. Communication and media studies researches both content and form, with an exceptional focus on the relationships between ourselves, the messages we receive via the medium, and the artifacts and systems through which we experience the world. Geordi La Forge’s VISOR is a prime example. It is both “the medium and the message,” in McLuhan’s (1994) terms. Despite his obvious prosthetic, La Forge is just one of the many humans in Starfleet who depend on complex socio-technical systems to mediate their experiences. The purpose of communication and media studies is to reveal the way these systems contribute to our lives and help to constitute our social world, by drawing from many different disciplines to investigate the means of communication we otherwise take for granted.

Turning the Gaze Upon Ourselves: Philosophy of the Slasher

Nathanael Bassett

in A Celebration of Slashers

“He who fights with monsters should look to it that he himself does not become a monster. And if you gaze long into an abyss, the abyss also gazes into you.” Friedrich Nietzsche, Beyond Good and Evil 

It seems that philosophy has a lot to offer to the appreciation of horror and fantasy. A quick glance at a popular bookstore shelves reveals titles like True Detective and Philosophy, Buffy the Vampire Slayer and Philosophy, American Horror Story and Philosophy, The Walking Dead and Philosophy, and so on. Looking at popular culture through the lens of philosophy is nothing new. But the relationship between each is a two way street – certain types of horror have been an inspiration to philosophers in recent times, specifically those centered around iterations of “cosmic horror.” This relates to an unknowable Other or the horror of a cosmic void (often based in the work of H. P. Lovecraft). Recent work in speculative realism draws out the philosophical potential of those forms of entertainment (Thacker, 2015). The body horror of David Cronenberg also helps to produce original philosophy (Riches, 2012). Even the traditional ghost story has lent itself to works focused around ethereal media and so called “hauntologies” (Sconce, 2000). But the slasher has been neglected, and I intend to argue that while these forms of philosophy based on other horror look outward, a philosophy of the slasher has the potential to look inward and reveal a critique of the human more uncomfortable than any mess of flesh from beyond.   Continue reading